Narciso Bresciani's plastic production, articulated into sculptures of variable dimensions and environmental installations, is characterised by great experimentation on techniques and materials - from stoneware to enamels, from plexiglass to iron or ash - and by the careful modulation of surfaces in their chromatic and material consistency. Each work seems to underline the need for a conscious perception of space and translates the artist's relationship with time and the complex steps of creation, amplifying the symbolic significance of each work in the tactile approach.
Francesca Porreca
Each gesture of the hand that shapes the earth to provide us with forms, echoes to infinity the gestures of creation that we never witnessed. Before a god ever conceived of man. It is an act capable of rising to pagan, Dionysian, immanent sacredness. As fingers free the dust from its aereal inconsistency, he who chooses this substance of the world gives back to it the words that it is unable to pronounce.
Nuccio Demetrio
REVIEW TEXTS
The debate on the duality of matter/memory – of which Narciso Bresciani's work constitutes an original variation
Territmi (Earthrrythms) is the title of a new series of small sculptures, disarrayed, irregular, and crooked, recently...
La partenza è un gesto istintivo e immediato, diretto verso un materiale semplice e fisico come la terra...
It is an act capable of rising to pagan, Dionysian, immanent sacredness. As fingers free the dust from its aereal...
Beating sculptures are those ones displayed by Narciso Bresciani in his exhibition where the...
Territmi, is the cycle of sculptures started by Narciso Bresciani around 2015, bringing to degrees of complexity ...
